Analisis Konvergensi Media Kompas TV pada Platform TikTok dalam Transformasi Akses Informasi
DOI:
https://doi.org/10.57235/jerumi.v4i1.8790Keywords:
konvergensi media, Kompas TV, TikTok, difusi inovasi, akses informasiAbstract
Konvergensi media menjadi strategi utama lembaga penyiaran dalam menjangkau generasi digital. Penelitian ini menganalisis bagaimana Kompas TV mengadopsi platform TikTok sebagai medium distribusi informasi dan bagaimana fenomena tersebut mentransformasi pola akses informasi masyarakat Indonesia. Menggunakan pendekatan kualitatif deskriptif dengan teknik studi dokumentasi konten, penelitian ini mengkaji akun resmi @KompasTV di TikTok beserta tiga studi kasus konten yang mewakili kategori breaking news, infografis, dan feature/soft news. Kerangka teoritis dibangun dari Teori Konvergensi Media Henry Jenkins dan Teori Difusi Inovasi Everett Rogers. Hasil penelitian menunjukkan bahwa Kompas TV menerapkan tiga bentuk konvergensi: (1) konvergensi teknologi melalui repurposing konten siaran linear ke format video pendek; (2) konvergensi konten melalui adaptasi bahasa visual, durasi, dan penggunaan audio trending; serta (3) konvergensi sosial yang mendorong partisipasi aktif audiens melalui fitur duet, komentar, dan repost. Proses adopsi TikTok oleh Kompas TV juga dapat dipahami sebagai proses difusi inovasi yang berjalan dari fase early adopter menuju early majority, didukung oleh karakteristik trialability dan observability platform yang tinggi. Kompas TV berhasil memanfaatkan karakteristik TikTok sebagai platform video pendek untuk memperluas distribusi informasi dan meningkatkan partisipasi audiens. Transformasi akses informasi yang terjadi ditandai oleh pergeseran konsumsi berita dari jadwal siaran menuju konsumsi yang bersifat on-demand, mobile-first, dan algoritmik. Penelitian ini berkontribusi pada pengembangan model konvergensi media yang mengintegrasikan teori konvergensi dan difusi inovasi di konteks platform short-video berbasis algoritma rekomendasi di Indonesia.
Downloads
References
Boczkowski, P. J., & Mitchelstein, E. (2021). The digital environment: How we live, learn, work, and play now. MIT Press.
Castells, M. (2009). Communication power. Oxford University Press.
Flew, T. (2014). New media: An introduction (4th ed.). Oxford University Press.
Flew, T., & Waisbord, S. (2015). The ongoing significance of national media systems in the context of media globalization. Media, Culture & Society, 37(4), 620–636. https://doi.org/10.1177/0163443715574635
Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.
Jenkins, H., Ford, S., & Green, J. (2013). Spreadable media: Creating value and meaning in a networked culture. New York University Press.
Kartikawati, D. (2018). Volume 1 Nomor 1. Juli-Desember 2018 Implementasi Difusi Inovasi Pada Kemampuan Media Baru Dalam Membentuk Budaya Populer (Kajian Pada Media Youtube di Kalangan Remaja).
Khairunnisa, Z., Nurfadillah, S., Musi, A. N., Nurjannah, M., & Rama, H. (2026). Konvergensi Media dalam Strategi Digital Berita Kota Makassar: Pemanfaatan TikTok untuk Meningkatkan Engagement Audiens. Jurnal Komputer, Informasi Dan Teknologi, 6(1), 1–13. https://doi.org/10.53697/jkomitek.v6i1.31
Kovach, B., & Rosenstiel, T. (2021). The elements of journalism: What newspeople should know and the public should expect (4th ed.). Crown.
Kreiss, D., & McGregor, S. C. (2018). Technology firms shape political communication: The work of Microsoft, Facebook, Twitter, and Google with campaigns during the 2016 U.S. presidential cycle. Political Communication, 35(2), 155–177. https://doi.org/10.1080/10584609.2017.1364814
McQuail, D. (2010). McQuail's mass communication theory (6th ed.). SAGE Publications.
Miles, M. B., Huberman, A. M., & Saldãna, J. (2014). Qualitative data analysis: A methods sourcebook (3rd ed.). SAGE Publications.
Nasrullah, R. (2020). Media sosial: Perspektif komunikasi, budaya, dan sosioteknologi (5th ed.). Simbiosa Rekatama Media.
Rahmawati, D., & Pratama, R. A. (2022). Strategi media lokal dalam pemanfaatan platform TikTok sebagai media informasi: Studi kasus Radar Malang. Jurnal Komunikasi Massa, 15(2), 89–104. https://doi.org/10.20961/jkom.v15i2.58431
Rogers, E. M. (2003). Diffusion of innovations (5th ed.). Free Press.
Syaifudin, A., & Hakim, L. (2021). Konvergensi media televisi nasional ke platform YouTube: Analisis strategi dan dampak audiens. Jurnal Ilmu Komunikasi Indonesia, 9(1), 45–61. https://doi.org/10.31800/jiki.v9i1.2134
We Are Social & Meltwater. (2025). Digital 2025: Indonesia. https://datareportal.com/reports/digital-2025-indonesia
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
Copyright (c) 2026 Sheline Elianda, Nivilia Saputra, Anya Septianti, Rendi Enta Pehuliasa Ginting, Alfian Pratama

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
- Authors certify that the work reported here has not been published before and contains no materials the publication of which would violate any copyright or other personal or proprietary right of any person or entity.
- Authors dont transfer or license the copyright of publishing to JERUMI: Journal of Education Religion Humanities and Multidiciplinary Research to publish the article in any media format, to share, to disseminate, to index, and to maximize the impact of the article in any databases.
- Authors hereby dont agree to transfer a copyright for publishing to JERUMI: Journal of Education Religion Humanities and Multidiciplinary a Publisher of the manuscript.
- Authors reserve the following:
- all proprietary rights other than copyright such as patent rights;
- the right to use all or part of this article in future works of our own such as in books and lectures;
- use for presentation in a meeting or conference and distributing copies to attendees;
- use for internal training by author's company;
- distribution to colleagues for their research use;
- use in a subsequent compilation of the author's works;
- inclusion in a thesis or dissertation;
- reuse of portions or extracts from the article in other works (with full acknowledgement of final article);
- preparation of derivative works (other than commercial purposes) (with full acknowledgement of final article); and
- voluntary posting on open web sites operated by author or author’s institution for scholarly purposes, but it should follow the open access license of Creative Common CC BY-NC License.












